A&D Series 57ZZ Manual de usuario Pagina 14

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steady current and voltage, such as a battery
produces.)
The damped sine wave is a special case you may see
in a circuit that oscillates but winds down over time.
Figure 15 shows examples of sine and damped sine
waves.
Square and Rectangular Waves
The square wave is another common wave shape.
Basically, a square wave is a voltage that turns on
and off (or goes high and low) at regular intervals. It’s
a standard wave for testing amplifiers – good ampli-
fiers increase the amplitude of a square wave with
minimum distortion. Television, radio, and
computer circuitry often use square waves for timing
signals.
The rectangular wave is like the square wave except
that the high and low time intervals are not of equal
length. It is particularly important when analyzing
digital circuitry.
Figure 16 shows examples of square and rectangular
waves.
Sawtooth and Triangle Waves
Sawtooth and triangle waves result from circuits
designed to control voltages linearly, such as the
horizontal sweep of an analog oscilloscope or the
raster scan of a television. The transitions between
voltage levels of these waves change at a constant
rate. These transitions are called ramps.
Figure 17 shows examples of sawtooth and triangle
waves.
Step and Pulse Shape
Signals such as steps and pulses that only occur
once are called single-shot or transient signals. The
step indicates a sudden change in voltage, like what
you would see if you turned on a power switch. The
pulse indicates what you would see if you turned a
power switch on and then off again. It might repre-
sent one bit of information traveling through a
computer circuit or it might be a glitch (a defect) in a
circuit.
A collection of pulses travelling together creates a
pulse train. Digital components in a computer
communicate with each other using pulses. Pulses
are also common in x-ray and communications
equipment.
Figure 18 shows examples of step and pulse shapes
and a pulse train.
Complex Waves
Some waveforms combine the characteristics of
sines, squares, steps, and pulses to produce a wave-
shape that challenges many oscilloscopes. The signal
information may be embedded in the form of ampli-
tude, phase, and/or frequency variations. For
example, look at Figure 19 – although it’s an ordi-
nary composite video signal, it is made up of many
cycles of higher-frequency waveforms embedded in a
lower-frequency “envelope.” In this example it’s
usually most important to understand the relative
levels and timing relationships of the steps. What’s
needed to view this signal is an oscilloscope that
captures the low-frequency envelope and blends in
the higher-frequency waves in an intensity-graded
fashion so you can see their overall level.
Analog instruments and DPOs are most suited to
viewing complex waves such as video signals. Their
displays provide the necessary intensity grading.
Often, the frequency-of-occurrence information that
their displays express is essential to understanding
what the waveform is really doing.
8
Figure 15. Sine and damped sine waves.
Figure 16. Square and rectangular waves.
Figure 17. Sawtooth and triangle waves.
Figure 18. Step, pulse, and pulse train shapes.
Figure 19. Complex wave (NTSC composite video signal).
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